Portrait – Burn the World (Review and Interview)
Burn the World is a dark romp through the metal of three and a half decades ago, played immaculately, but with some serious fire.
Burn the World is a dark romp through the metal of three and a half decades ago, played immaculately, but with some serious fire.
This is death metal played in the darkest recesses of a post-apocalyptic doom soundscape.
Feral creation is called forth to drag the listener bodily into the filthy pits of void from which the band springs forth.
A dark creature arises from the post-apocalyptic wastes.
There is a malicious streak that shows forth here in ominous riffs, there in embedded grind, and yet again in ambient samples, which all serve to drag the listener by their exposed entrails into the abyss that is this album.
See that guy? The one who looks a little dangerous? That is the personification of Candle.
Bison take rage and violence and make it atmospheric and calming. They take beauty and make it viscerally deadly.
An interview with Full Scale Riot.
The quartet, split between Poland and the UK, play the kind of grind that I love. That is, they get all in your face and scream their leftist politics, spittle flying.
Entwining brutality and beauty, with eerie keyboards and unique rhythms, seeming to blend genres with ease.