
Abhorrence – Megalohydrothalassophobic
Abhorrence take death metal, use it to write good songs, and spit out….more death metal.
Abhorrence take death metal, use it to write good songs, and spit out….more death metal.
For End of the Circle to grab me so completely and bend my thought to its will so completely, is a statement of exceptionalism.
Väsen isn’t an in-your-face album that grab you by your throat, and drowns you in its greatness. Rather, it is subtly great.
They take a tried and true recipe, and then create a perfect dish from it. No need for garnish or fancy sauces, the main dish is perfect as is.
There aren’t enough hours in the day to give everything a full album listen, so something has to grab me to keep me switching to the next, and it is certainly rare for power metal to do that for me. That alone is recommendation, as Age of Revolution has had double digits full album listens.
The effect of the whole is quite cohesive, especially considering how many musicians contribute, a testament to the songwriting ability of Demonstealer.
The riffs are dissonant ear worms that savagely burrow through your brain with the menace of Herbert’s Sandworms. They don’t so much sit in the back of your subconscious as tear through it to make it their nest.
…it is an excellent first step into the wide galaxy of black metal and certainly a project worthy of your attention.
old-school without sacrificing originality and artistry