
The Furor – Cavalries of the Occult
Musically, the album is so dynamic and unpredictable, it very nearly defies classification. To say that it is a mix of black and death metal, while true, does not do justice to what you hear when you listen.
Musically, the album is so dynamic and unpredictable, it very nearly defies classification. To say that it is a mix of black and death metal, while true, does not do justice to what you hear when you listen.
This album caught me by surprise, to be honest. I loved the album art from the time I saw it, but wasn’t expecting a sound so uniquely vintage yet contemporary at the same time.
All in all, just a heavy, old school, meaner version of their younger selves.
Death-grind, black metal, and crust all jump into the mix to create an abysmal groove that will have your head banging and the pit churning in no time.
With 18 songs and the longest coming in at a whopping 3:37, the Virginia 5-piece rips through the album in the best crossover thrash tradition.
If this balance of aggression, speed and groove doesn’t get your blood pumping you must be dead.
With shades of many types of metal like Folk/Viking to Extreme/Death all the way to an almost progressive feel, this band shows they’re very well rounded and have many more stories for us all to hear.
Covering the gamut from straight stoner rock to gorgeous psychedelic interludes, Songs of Darkness and Despair comfortably bridges the gap between both.
Tokens for Hell is groovy, cosmic music with a very Black Sabbath feel. Except it’s on acid.
To understand the album, give yourself an hour plus where you can sit and absorb the entirety without interruption. Your patience and effort will be rewarded with an album remarkable in its dark passion.